
Tidal Clouds
Tidal Clouds – “Tidal Clouds” captures the beautiful Cape May light amidst a background of what appears to be a tidal wave of clouds. Acrylic
Each of these pieces is painted on stretched upholstery fabric. The patterns you see in the background are from the designs in the fabric.

Tidal Clouds – “Tidal Clouds” captures the beautiful Cape May light amidst a background of what appears to be a tidal wave of clouds. Acrylic

The Woodpecker: A woodpecker has long been on my list of birds to paint – I’m finally happy I got around to it with this

The Fox in the Field – I love how the flow of the fabric pattern winds its way through the background and wraps your eye

Jamie Wyeth’s “Iris at Sea” – I painted this for the Spring Bull Gallery’s Fakes & Forgeries show. Growing up outside of Philadelphia, I’ve always

Cardinal and Berries: Cardinals with their bright red feathers are always so much fun to paint. This particular one really jumps out against the deep,

Chickadee and Pinecones: As has been the case with my most recent paintings, this is painted on both clear acrylic substrate (ie the glass) and

Ruby Red – This painting features a Ruby-throated hummingbird flying amongst flowers. The hummingbird itself is painted on clear acrylic with acrylic paints which is

The Red Tree: This is a beautiful painting with its leaves turning red in a cool autumn field. I used photo reference from photographer @new_englander__

Big Blue Over Beavertail: This is a painting of the Beavertail Lighthouse in Jamestown, RI with a big blue sky above it. The blue sky

Goldfinch and Sunflower: We have a number of sunflowers lined up on our back deck and have been watching the last several weeks as the

A Day at the Beach: Painted from reference photos taken some years back at Easton Beach in Newport, RI, this painting captures my kids looking for

The Love Song of J. Alfred Peacock: A title that my high school english teacher would love, “The Love Song of J. Alfred Peacock” is
Michael is a painter mostly known for using acrylic paints on upholstery fabric. A process related to his mother being a furniture upholsterer and being around fabric in his formative years.
Michael often takes inspiration from staring at the abstract patterns of the fabric, much like one would stare at the clouds, and thinking, “What do I see?” This process often jump-starts his painting process.
Whether he paints a hummingbird or a lighthouse, the pattern of the fabric is always woven into the composition leaving the piece with a sense of whimsy and wonder.